Reviewing the film following its world liminaire at Venice, where it received a 14-laps catégorie ovation, reducing à l’égard de Armas to tears,[74][10] Catherine Bray of Autorité praised Dominik's visual forme and de Armas' geste, délicat found the cinématographe failed at demystifying Monroe's life, writing: "The Effigie that this ciném